Blockchain and Photography

You’ve probably heard a lot about BitCoin and the Blockchain network. Besides the “digital currency”, it has also been phrased as “The Internet of Money” (Andreas Antonopoulos). This is a more apt description. It’s an open and decentralized network, that anyone can build upon. BitCoin is merely the first killer app, and the networks fuel.

Blockchain can also offer many other services, such as digital art verification. How is it different from the web you know?

Once verified on the blockchain, it’s verified as your creation forever. It’s safe, and hack proof. Attribution cannot be altered, unless you transfer full ownership of the copyright. And the blockchain would verify that transaction as authentic. This is the beauty of a distributed ledger.

While not an official registry with the U.S. Copyright Office, it will live forever, so long as there is a blockchain Internet. If a website goes down, it’s still verified as your art on the Blockchain.

By the way, if it’s a valuable piece, it’s still a good idea to register with the Copyright Office.

The amount that will come from blockchain tech in the coming years will be fantastic, and will do much to make the Internet a better place. So long as it’s a true distributed ledger (be aware of centralized apps slapping a Blockchain sticker on the box). Call it Internet 2.0, if you want.

With a service like ascribe.io, you can decide how many official digital editions there will be for your photograph or art. You can also decide how official owners of a digital edition may display it. Copyright will remain yours.

Yes, a wise guy could come along and screenshot the photo. But it would not be a verified digital edition. Tracking digital artwork and photography continues to improve. So, for example, if you find a wise guy while using Pixsy, you can quickly issue a take down request or submit a case (likely small claims) without prohibitive legal costs.

I expect more services for artists and photographers like ascribe.io to emerge, as blockchain grows in adoption. It gives artists control over their work and data, always a good thing. I think the U.S. Copyright Office and governments around the world can also learn a lot from this technology. It will greatly improve efficiency, and reduce costs to taxpayers.

Coin Telegraph has a good article about some of the blockchain services available to artists and photographers now.

My first blockchain verified photograph is on ascribe.io. Warning, maybe NSFW and not for those made squeamish by pistols.

 

 

 

 

 

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10 Tips for Honing Your Creativity 

I agree with much of this and find I do a lot of it naturally day-to-day. Hopefully this helps you, too. 

http://m.fastcompany.com/3048862/10-tips-for-honing-your-creativity-every-day
This link came courtesy of the recent NEA newsletter, and if anything, is worth subscribing to for nice bits like this.

It Smells Like Freedom

still life of art supplies and water bong by paul ottaviano
It’s Legal Here in Oregon. *Not my room.

Regardless if you agree, disagree, or if you’re ambivalent – Oregon voters said yes. It’s a historic day here. While I don’t encourage or discourage its use among consenting adults, I do hope that people view the issue contextually and not judge a person who might have a different perspective.

To that, let’s hope the Federal Government does not see states with new laws as enemies in the midst. Whatever hiccups and misunderstandings there might be going forward, the states and Washington D.C. should work out their differences and find a good path in the legitimate market. That’s where people are going with this. The culture is out in the open, the genie out of the bottle, it’s not a matter of if but when, etc. Time to move forward, not back towards jail.

*I must confess, the headline for this post was taken from Drew Carey. I’ll let you guess what he was referring to. 

Hillsboro’s First Tuesday Art Walk

Last month I had the fantastic opportunity to be a participating artist at the First Tuesday Art Walk on Main Street in Hillsboro, Oregon. I displayed documentary photos I shot of Manaia Coffee House and Island Grill. It was a wonderful community experience and I was grateful for all who attended. It was a casual affair at Manaia Coffee House, along with complimentary food courtesy of Judith Shortt of Phoenix Group Real Estate.

First Tuesday happens each month in Hillsboro and it’s growing bit by bit, because of the efforts of people like Judith Shortt and especially because of Linda Holland, seen in the photos. She is seen here with her artwork and Zach Clark, owner of Clark’s Bistro and Pub and a new host of First Tuesday.

Other participating locations are Manaia Coffee House, Summa Real Estate (“where you get your wine on.” – Linda), Washington County Museum, Walters Cultural Arts Center, Sequoia Artists Studios, and Influence Music Hall.

Linda Holland is the organizer of First Tuesday and works tirelessly to not only find participating artists, but also promote them (Hint to local artists: be nice to her and you might get a press release photo in the Hillsboro Tribune). She is an awesome person. Hillsboro is lucky she is so gracious with her time and energy.

Thoughts on Volunteering and Holiday Giving

In the spirit of giving, this is one of the few times during the year that I will shed some light on my values regarding such things.

I do realize people have different viewpoints on charity, non-profits, and other miscellaneous projects that benefit culture. This post is not meant to be sanctimonious. Nobody is perfect and plenty of good people mean well, after all, and you don’t have to be a saint to be a giver. In the interest of sharing ideas, hopefully I can give you some on what you can do, too.

I unfortunately cannot say yes to every volunteer or donation request. I prefer to research those possibilities on my own. But in no particular order, here are areas I’m very passionate and where I’d like my work to be used for positive action, if I ever have the opportunity to do so.

1. Children’s International — I sponsor a child in Honduras. Poverty and not having basic things is more widespread than perhaps some people know.

2. Hunger — It’s quite frankly unacceptable, particularly here in the United States. It’s humbling and makes a lot of daily noise seem petty by comparison.

3. Investigative Journalism — The devaluing of long-form journalism and photojournalism in the digital world benefits nobody. It’s a problem that affects the common good and it’s a non-partisan issue. Everything is contextual, but we can do much better on this.

Quality investigative journalism keeps people from living in ignorance and retreating into insular bubbles. Intelligent people are not immune to this, if in-depth information continues to recede. It’s difficult for long-form news operations to survive in a click-bait and infotainment media economy, but while donations to the Pro Publica’s of the world cannot entirely solve the problem, it does help.

4. The Arts — The NEA has fewer funds than it used to, and does not award grants as much as it once did. I have some mixed feelings about art taxes, while not completely opposed to them, but I will say the funding of arts – as a client, patron, private grant or crowd funder – regardless of popularity or commercial value, is worthwhile.

The arts remind us of our humanity and (local) culture, and that we’re more than just consumers or political means to an end. Art is not just an aesthetic for a new phone design or sunset photo, it’s an expression and means of communication. For others, it’s life changing and perhaps life saving.

Photography and other arts are not a lie, and sometimes it’s the only way to truth. Despite all of the “content” out there it feels like we’re losing creative experimentation, unique artistic expression, and contextual thought. The incentives have become negative. It’s becoming a zero sum, winner-take-all game or a day labor commodity, sometimes meant for the cheap and fleeting sensation of viral aggregation… which has longer odds than winning the lottery. This is manifest and impactful on more things besides artistic endeavor. It does not have to be this way.

This is the time of year I like to slow down and think on the important things in life, what my values are, and how can I best express them with my work, if possible. I hope you can find the time to do the same.